FALLEN ANGELS is a symphony about bodies falling into the present, immortalized in a hyperkinetic suspension, between high and low, ascent and ruin. The theoretical context is oriented through the perspective of “retromania”, the “slow cancellation of the future”, the “spectres” of Mark Fisher and the visions of Kit Mackintosh (Auto-Tune Theory) attempting to frame a social, political, aesthetic present of hyper-culturality. The image of the fall of the rebel angels is moved and recontextualized to an observation on recent musical phenomena (traps and drifts: protagonists, narratives, self-representations, aesthetics). We ask ourselves what frequency embodies the body that lives this present in a continuous state of advancement, acceleration, innovation, saturation, inertia and anachronism. The body that dances on the invisible notes of F.A. he immerses himself in an “existential” condition of the fall, vaporizes his matter. It undermines the personal and the autobiographical, this “plural” body transcends into a chorus of post-human voices, of shattered and muddy verses: it is “the tragedy that becomes a stamp”.
Where you can find me. disappearance is a short film designed as a “spin off” of FALLEN ANGELS to amplify the choreographic material through the language of video. An autonomous and reverberating object which, through the non-linear narrative of the body and the text, offers a further perspective to the imagery that drives the research.