With a fake disguise and minimal movements, the flow takes us into the game of female identity, effeminating, malingering, disambiguating the four performers.
Disembodying and incorporating themselves and each other: two poles, two physical places on the opposite banks of the same river. Accomplices of their own appearance, they mirror themselves in each other giving back mirrored movements, compressed and covered by a sound accompaniment that magnetises and flows without any real interruption or space for melody but only for the dryness of rhythm. “Femina” is the space of translation and hallucination in a scenic framework of possible forms and names of the contemporary feminine world.